First opera I ever saw live was Strauss’s Elektra at the Royal Opera House. Considering that, I would have been excused if I never wanted to see opera ever again. (It’s long, it’s powerful, it can be daunting but ultimately I found it addictive, probably because I love the Elektra story). Take my advice and if you want to introduce someone to opera don’t risk it. Choose Donizetti’s L’elisir d’Amore instead. Continue reading
Watching Italian operas is always a good experience as I (somewhat) understand the language and so can appreciate the beauty of the arias. I also do not have to rely so much on the surtitles and can make my own sense of the words. For example I don’t like it when cielo is translated as Heaven, I like thinking she means the sky, the afterlife, the spirit world (does she really believe she will go to Heaven?)
I don’t expect this to be happening too often (I am a bit of a nag) but this is a post where I’m going to be raving about EVERYTHING.
If you know me (some people have been reading me for a number of years through my other online activities) and trust me (a smaller percentage no doubt) you only need to know this: DO EVERYTHING IN YOUR POWER to watch The Winter’s Tale. There.
I’ve been living in London for 12 years and it took me ages to figure out how to get seats at the Royal Opera House for opera and ballet and how to get those tickets cheap(er).
Granted, there are some performances that anything less than £60 is highly unlikely. However, I go to at least one – two performances a month, ever since I discovered how it can be done.